So this sound seems to be called the lead vocal tone again . In any case, fortunately the sound is still good enough to get it killed with as little loss of the rest of the soundtrack as possible, so it can be used in the absence of a suitable original and reworked accompaniment . Also, the OK version of the backing track may not be the same as the original except for the lead vocal, and the rest of the soundtrack may be different, for example, some instrumental, harmony or something may be missing, so in any case, it's up to fate to find the backing track .
- Go for the vocal accompaniment . Er~ This, it's the same feeling as watching a gun version of a movie, no matter what .
Here are a few places where I look for accompaniment .5sing、 Xilaiju、 UU Accompaniment Network、 Fine accompaniment network、 China Accompaniment Network、 China Performing Arts Accompaniment Network、wo99 5sing and wo99 are basically free, the first (the latter site is a bit shitty), the rest basically charge, but there are always some exclusive quality accompaniment, a song is only a few bucks, okay, but there is a recharge starting price this is a bit nasty .
About the recording
Being an amateur player and not having studied vocally, I don't have much to share about the singing technique piece, more listening and singing definitely helps .
The specific singing and recording process I do not know what the professional practice is, my practice is headphones broadcast accompaniment, people singing into the microphone ~ this sentence is a little waste, the purpose is to record only the vocals in, so do not say must not use external audio, that is, headphones are to try to avoid leakage . I've seen people ask if the correct posture is to record the accompaniment and vocals together, uh ~ even I know that this is extremely unscientific, outside the recorded accompaniment can still be listened to, if you sing along with the real instrumentation is compared to being in the real world to take a picture, then the accompaniment audio + vocal synthesis is equivalent to the portrait P into the landscape, and the accompaniment and vocals recorded together is equivalent to the scenery picture printed into a scenery board, after the person standing in front of the same photo, which effect is the worst needless to say .
About Listening， audible wet take down a job、 Listen to Dry Record Dry these practices， mediate wet It's actually two parameters in the reverb effect， But here's the dry/ wet I think it's a general reference to the lack of/ Treated vocals， So listen. wet Recording dry means when you sing， What you hear in the monitor headphones is the sound with various effects added， Can be close to the final output， It can also be the effect of preliminary touch-ups， Here's a listen. wet， Meanwhile the audio software records the unprocessed dry sound， It's called recording.； Listen dry record dry naturally means that what you hear in the headphones is what you record； As for whether or not to listenX record wetThe practice, I don't know, and even if there was I imagine it's pretty niche, because records are about authenticity and adding effects in would be much less malleable . Anyway, there should be no guidelines on which approach to adopt, but rather depends on the preference of the person singing, I have tried both, listening to the wet will make you sing a small intoxication, wow ~ I sing so beautifully, do not sing well to yourself ~ huh, is probably to play a motivational, more into the role of it, but the downside is that even if the singing is not so good is not exposed, the final may only intoxicate themselves intoxicated others; listening to the dry benefit of course is to expose the problem in order to correct in time, the downside is that there may be a blow to confidence ~ ha, especially people with poor voice, there is no mood to finish the song is difficult to say, and is too much attention to the skills of the words, may ignore the emotional input, the final effect may be nothing flawed, but also mediocre, but not good . I guess professional singers with good voice conditions would choose to listen to the dry bar, but there must be a professional recording lion in the professional studio, he must listen to the dry and find out that something is not right and it should be NG, the singer just sings to his heart's content . I don't know if I have to listen to my own voice professionally, but after trying different monitoring practices, my current practice is not to monitor, that is, only the accompaniment in the headphones, after singing, how the singing, playback to see, this seems to be a bit blind, but I just feel that no matter listening to wet and dry, it is a kind of interference for me, listening to wet is easy to blind intoxication, listening to dry is hindered by emotional involvement .
Next is the equipment . The equipment I know and the way they are wired is this drop . The microphone → the computer motherboard → the sound card → the → . Here in turn are my very rough knowledge of these devices, just knowledge, not science, not reviews, not guides, because I don't know them all myself and write them more in the hope of getting pointers: .